As one of the first assignments for a storyboarding class I’m taking, we had to make a scene based on the prompt that a baby loses a helium balloon and a grown man wants to get it back for the baby.
The restrictions were as follows:
- No dialog
- Must have a clear beginning, middle, and end
- Stakes must be raised throughout
- There must be no way out for the protagonist
I was one of two people to actually complete the assignment, and although I had a huge number of technical mistakes (due to not understanding the format of the medium), I thought I’d still put it up here. I’m going to post the pictures, without explanation, and then provide a description of the scene, afterwards – as people are supposed to be able to glean everything from the boards themselves. Granted, the boards are supposed to have some description and sound effects on them (a fact I neglected, as I misunderstood the “no dialog” edict as much stricter), but hey. See if you can follow.
Since I’ve come back from my trip, a lot of people have asked me, “how was China?” I’ve struggled to answer each time. Usually I just said, “complicated.”
We in the west get a lot of the ‘what’ about China, but little of the ‘why’. In other words, we hear a lot about China’s totalitarian edicts, its sometimes-brutal crackdowns, its nonexistent copyright laws, and almost never does the reporting outlet even make a stab at the reasoning behind these things. We don’t hear about what the average people – not the shills employed by the Chinese government – say and think about it. Or what they think about each other. Or what their daily lives are like.
I’m going to try and write about China from a ‘why’ perspective, but realize – I’m a privileged white guy. I spent less than two weeks there. This is probably best ingested with a couple grains of salt. Maybe a brick.
I have met the hardest motherfucker on earth, and his name is Hu Da.